Film Review: “Godzilla” — Gareth Edwards (2014)

Rating: 5.5 / 10 Here it comes, right? The moment where the movie reviewer (and bear in mind, that’s all I am — some dude reviewing a movie, not a ‘film critic’ by any means) tries to bolster their credibility by rattling off a list of like-minded films that they’ve seen and loved and analyzed…

Film Review: “Backbeat” — Iain Softley (1994)

Rating: 5 / 10 Long before Ringo Starr was a Fab Four fixture, or before Love Me Do became their first hit single… before John Lennon proclaimed that the band was more popular than Jesus, or before they were slumming around India with the Maharishi… before their Magical Mystery Tour debacle of a film and…

Film Review: “The Commitments” — Alan Parker (1991)

Rating: 9 / 10 Alan Parker’s delightful The Commitments, based on the first book in a trilogy by author Roddy Doyle, is a remarkable movie, easily one of the best films of 1991. There reasons why this simple little tale — detailing the rise and fall of a Dublin soul band — manages to endear…

Film Review: “Il Posto” — Ermanno Olmi (1961)

Rating: 9 / 10 Life’s most agonizing transition arguably occurs when the fragile boundary between childhood and adulthood blurs and rather quickly vanishes; that emotionally quizzical overlap during which the insecurities and uncertainties of youth immediately and awkwardly merge with the responsibilities and gray-scale cynicism of adulthood. It’s a heady mix of fear and excitement…

Film Review: “Django Unchained” — Quentin Tarantino (2012)

Rating: 6.5 / 10 When I think of the great Western films that I love — The Outlaw Josey Wales, She Wore A Yellow Ribbon, The Man Who Shot Liberty Valance, The Wild Bunch, et al. — and of all the great Quentin Tarantino movies that I’m passionate about — pretty much all of them…

Film Review: “Skyfall” — Sam Mendes (2012)

Rating: 10 / 10 There have now been 23 James Bond movies — well, 25 if you count the unsanctioned 1983 Connery vehicle Never Say Never Again or the 1967 Casino Royale spoof with David Niven and Woody Allen — and not a one of them looks as exquisitely beautiful as Skyfall. Academy Award-winning director…

Film Review: “Knife In The Water” — Roman Polanski (1962)

Rating: 9 / 10 Filmed in black-and-white, set almost entirely on a small sailboat, and with a cast of only three characters, there’s something warm and analog about Roman Polanski’s debut film Nóż W Wodzie (Knife In The Water) . Like slipping a needle on a vinyl groove, the film cracks and pops and skips…

Film Review: “Slacker” — Richard Linklater (1991)

Rating: 8 / 10 Slacker, Richard Linklater’s landmark 1991 independent film, is ostensibly a celebration of Austin’s self-proclaimed “slacker” culture, a loose-knit hodge-podge of eccentrics, oddballs, loners, artists, intellectuals, anarchists, pseudo-intellectuals, conspiracy theorists, superfreaks, what-have-you. The film presents no driving narrative, no real plot to speak of, and nary a whisper of a storyline. Linklater’s…

Film Review: “Videodrome” — David Cronenberg (1983)

Rating: 10 / 10 You show me a David Cronenberg movie that thematically tackles the transitory nature of the flesh, the inherently stateless class of consciousness, or the symbiotic relationship between man and technology, and I’ll expect any of a dozen movies he’s made over the course of his career. (I still think his masterful…